November 19 - December 24

* To purchase tickets for The Christmas Ballet LGBTQ+ Night on December 20th, please scroll down to purchase button.

Smuin’s Fiercely Festive The Christmas Ballet

Digital Program

Choreography by Michael Smuin plus inventive premieres for 2022!

Smuin’s The Christmas Ballet show runtime is two hours including intermission.

Smuin Ballet’s fiercely festive 2022 edition of The Christmas Ballet returns. It is our gift to the Bay Area showcasing Smuin’s exquisite signature style in a dazzling program of ballet, contemporary, character, Broadway jazz, and tap in two acts.

Ring in the holidays with Smuin’s The Christmas BalletEvery performance is brimming with sublime classical ballet set to carols and showstopping contemporary works danced to pop music favorites. With choreography by Michael Smuin and inventive premieres by up-and-coming dancemakers, Smuin unwraps surprises and new treats each year.

Our yuletide spectacular was declared “sheer joy . . . the finest toast to the season” by the San Francisco Chronicle. Bay Area performances of our irrepressible holiday classic open in Walnut Creek on November 19 and run through December 24 in San Francisco.

Mark your calendars for Smuin’s The Christmas Ballet LGBTQ+ Night performance in San Francisco on December 20 to benefit Project Open Hand. The show features new delights and a twist on our annual holiday tradition that adds culture, community, charity, and miles of cheer to Smuin’s The Christmas Ballet.

Smuin’s fiercely festive tradition tours the Bay Area again this year, spreading holiday cheer to every member of the family. Make plans today to join us!

Dates and Locations

November 19-20, 2022: Lesher Center for the Arts, Walnut Creek

December 1-4, 2022: Mountain View Center for the Performing Arts

December 9-10, 2022: Sunset Center, Carmel

December 14-24, 2022: Blue Shield of California Theater at YBCA, San Francisco

The Christmas Ballet LGBTQ+ Night

December 20, 2022 at 7:30: Blue Shield of California Theater at YBCA, San Francisco. The LGBTQ+ Night will benefit Project Open Hand

LGBTQ+ Night Tickets 

We invite you to become a season ticket subscriber or buy individual tickets for our performances. 

If you are interested in subscribing to Smuin’s 2022/23 season, please email boxoffice@smuinballet.org or call the San Francisco Box Office at 415.912.1899 ext 1.

Photos of Mengjun Chen and Terez Dean Orr by Chris Hardy

Meet the original creator of The Christmas Ballet

“In 1994, Michael Smuin set out to “infuse ballet with the rhythm, speed, and syncopation of American popular culture.”

In 1994, Michael Smuin set out to “infuse ballet with the rhythm, speed, and syncopation of American popular culture,” and Smuin Contemporary Ballet (née Smuin Ballets/SF, or more recently, Smuin Ballet) was born. Michael Smuin’s vision lives on following his sudden passing in 2007, and the Company continues to push the boundaries of contemporary ballet within a distinctly modern style, combining classical ballet training, technique, and artistry with uncommon physicality and expression.

Company Founder Michael Smuin was born on October 13, 1938, in Missoula, Montana. Smuin studied tap dancing as a child and became instantly enamoured with ballet when his mother took him to see the Ballet Russe on tour at the University of Montana. At the age of 15, Smuin moved to Salt Lake City to study dance on scholarship at the University of Utah. A few years later, San Francisco Ballet director Lew Christensen recruited Smuin for San Francisco Ballet, where he danced for six years. Smuin took a leave of absence from the company in 1962 to relocate to New York, where he performed in Bob Fosse’s Little Me on Broadway. During this time, Smuin created a nightclub act with his then-wife and fellow dancer Paula Tracy. Their “well-disguised ballet,” as Smuin would call it, toured widely and was billed alongside such entertainers as Louis Armstrong, Peggy Lee, and Frank Sinatra. The act later appeared on television on The Ed Sullivan Show, The Hollywood Palace, and Bell Telephone Hour, among others. Smuin joined American Ballet Theatre in 1965, where he choreographed Pulcinella Variations, The Catherine Wheel, Eternal Idol and several other pieces for the company before returning to San Francisco in 1973. During his years in New York he also worked with Leonard Bernstein, choreographing Candide.

Smuin spent 12 years as a choreographer and co-director of San Francisco Ballet, a period that coincided with his direction of Sophisticated Ladies on Broadway. Smuin served as Artistic Director of San Francisco Ballet until 1985, and was instrumental in raising the company’s profile in the international arts community. His ventures included serving as co-chairman of the National Endowment for the Arts dance panel (1979-1981), staging a performance at the White House, and presenting his Romeo and Juliet and his Emmy Award-winning feature A Song for Dead Warriors for PBS’s Dance in America program. In 1988, Smuin received both a Tony and a Drama Desk Award for his choreography for Anything Goes.

Outside of ballet and Broadway, Smuin choreographed several Francis Ford Coppola films, some of which include Rumble Fish, The Cotton Club and Bram Stoker’s Dracula. His choreography can also be seen in such films as A Walk in the Clouds, The Joy Luck Club, The Fantastiks, and Star Wars: Episode VI – Return of the Jedi (Special Edition).

Michael Smuin’s ballets are currently in the repertories of major dance companies around the country. Since founding Smuin Contemporary American Ballet in 1994, he created 40 new works for his company alone. His creations range from classical, as seen in his acclaimed September 11th tribute, Stabat Mater (2002), and Carmina Burana (1997), to the innovative Bluegrass/Slyde with its revolving-pole set, to one-act story ballets like Pinocchio (1999) and  Zorro (2003). Many of Smuin’s ballet’s boast a touch of Broadway flair, such as the wildly popular Dancin’ With Gershwin (2001) and Fly Me to the Moon (2004).

Smuin passed away suddenly on April 23, 2007, surrounded by his dancers while teaching company class. His vision, style, and energy remain with the Company to this day.